When your film is on the screen for the first time in front of a packed house, the audience becomes a living, breathing organism. You hear every cough, every breath, every snicker, every cry. Just like the boy pouring his heart out for the girl, the artist pouring his heart out for the audience is completely aware of every bat of an eye and every uncomfortable twitch.
I say all this about Christian music because it appears that the same thing is happening in the burgeoning Christian film industry. They’re trying to keep up and rip-off instead of bring something new to the table. And worse still, here at the birth of the industry, they aren’t even pulling it off. It’s like a street hustler trying to tell us the watch is a Rolex when we can see the gold paint flaking off. At least there was some real talent at the inception of the Christian music industry. Keith Green and Second Chapter of Acts could get it done. The Christian film industry doesn’t have it.
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Matthew and Lizi The Meaning of It All "Soulful vocals and heartfelt songwriting"  |
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Andy Melvin The Human Engine Waits "Catchy and exquisite, energetic and mellow" |
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Peter Nevland Just My Mouth "Laugh, and then cry. Smile big" |
